No Fear Shakespeare: As You Like It: Act 3 Scene 3

Read and listen with a SparkNotes PLUS trial!

No Fear Translations

No Fear Audio

Already have an account? Log in

Previous page Act 3, Scene 2 Next page Act 3, Scene 4

Test your knowledge

Take the Act 3, scenes iii-v Quick Quiz

Read the Summary

Read the Summary of Act 3, scenes iii-v.

Shakespeare’s Life & Times

Your password reset email should arrive shortly.

Something went wrong

As You Like It

William Shakespeare

Original Text

Modern Text

Original Text

Modern Text

Take the Act 3, scenes iii-v Quick Quiz

Read the Summary of Act 3, scenes iii-v.

Dive into our comprehensive guide to ace your Shakespeare assignments

Popular pages: As You Like It

Character List CHARACTERS

Rosalind CHARACTERS

Themes LITERARY DEVICES

City Life versus Country Life QUOTES

Full Book QUIZZES

Take a Study Break

The 7 Most Messed-Up Short Stories We All Had to Read in School

QUIZ: Which Pride and Prejudice Character Matches Your Personality?

QUIZ: Is This a Taylor Swift Lyric or a Quote by Edgar Allan Poe?

QUIZ: Which Greek God Are You?

Original Text	Modern Text
Enter TOUCHSTONE and AUDREY , and JAQUES behind	Enter TOUCHSTONE and AUDREY , and JAQUES behind
TOUCHSTONE Come apace, good Audrey. I will fetch up your goats, Audrey. And how, Audrey? Am I the man yet? Doth my simple feature content you?	TOUCHSTONE Come apace, good Audrey. I will fetch up your goats, Audrey. And how, Audrey? Am I the man yet? Doth my simple feature content you?
AUDREY Your features, Lord warrant us! What features?	AUDREY Your features, Lord warrant us! What features?
TOUCHSTONE I am here with thee and thy goats, as the most capricious poet, honest Ovid, was among the Goths.	TOUCHSTONE I am here with thee and thy goats, as the most capricious poet, honest Ovid, was among the Goths.
JAQUES (aside) O knowledge ill-inhabited, worse than Jove in a thatched house.	JAQUES (aside) O knowledge ill-inhabited, worse than Jove in a thatched house.
TOUCHSTONE When a man’s verses cannot be understood nor a man’s good wit seconded with the forward child, understanding, it strikes a man more dead than a great reckoning in a little room. Truly, I would the gods had made thee poetical.	TOUCHSTONE When a man’s verses cannot be understood nor a man’s good wit seconded with the forward child, understanding, it strikes a man more dead than a great reckoning in a little room. Truly, I would the gods had made thee poetical.
AUDREY I do not know what “poetical” is. Is it honest in deed and word? Is it a true thing?	AUDREY I do not know what “poetical” is. Is it honest in deed and word? Is it a true thing?
TOUCHSTONE No, truly, for the truest poetry is the most feigning, and lovers are given to poetry, and what they swear in poetry may be said as lovers they do feign.	TOUCHSTONE No, truly, for the truest poetry is the most feigning, and lovers are given to poetry, and what they swear in poetry may be said as lovers they do feign.
AUDREY Do you wish then that the gods had made me poetical?	AUDREY Do you wish then that the gods had made me poetical?
TOUCHSTONE I do, truly, for thou swear’st to me thou art honest. Now, if thou wert a poet, I might have some hope thou didst feign.	TOUCHSTONE I do, truly, for thou swear’st to me thou art honest. Now, if thou wert a poet, I might have some hope thou didst feign.
AUDREY Would you not have me honest?	AUDREY Would you not have me honest?
TOUCHSTONE No, truly, unless thou wert hard-favored, for honesty coupled to beauty is to have honey a sauce to sugar.	TOUCHSTONE No, truly, unless thou wert hard-favored, for honesty coupled to beauty is to have honey a sauce to sugar.
JAQUES (aside) A material fool.	JAQUES (aside) A material fool.
AUDREY Well, I am not fair, and therefore I pray the gods make me honest.	AUDREY Well, I am not fair, and therefore I pray the gods make me honest.
TOUCHSTONE Truly, and to cast away honesty upon a foul slut were to put good meat into an unclean dish.	TOUCHSTONE Truly, and to cast away honesty upon a foul slut were to put good meat into an unclean dish.
AUDREY I am not a slut, though I thank the gods I am foul.	AUDREY I am not a slut, though I thank the gods I am foul.
TOUCHSTONE Well, praised be the gods for thy foulness; sluttishness may come hereafter. But be it as it may be, I will marry thee; and to that end I have been with Sir Oliver Martext, the vicar of the next village, who hath promised to meet me in this place of the forest and to couple us.	TOUCHSTONE Well, praised be the gods for thy foulness; sluttishness may come hereafter. But be it as it may be, I will marry thee; and to that end I have been with Sir Oliver Martext, the vicar of the next village, who hath promised to meet me in this place of the forest and to couple us.
JAQUES (aside) I would fain see this meeting.	JAQUES (aside) I would fain see this meeting.
AUDREY Well, the gods give us joy.	AUDREY Well, the gods give us joy.
TOUCHSTONE Amen. A man may, if he were of a fearful heart, stagger in this attempt, for here we have no temple but the wood, no assembly but horn-beasts. But what though? Courage. As horns are odious, they are necessary. It is said, “Many a man knows no end of his goods.” Right: many a man has good horns and knows no end of them.	TOUCHSTONE Amen. A man may, if he were of a fearful heart, stagger in this attempt, for here we have no temple but the wood, no assembly but horn-beasts. But what though? Courage. As horns are odious, they are necessary. It is said, “Many a man knows no end of his goods.” Right: many a man has good horns and knows no end of them.
Well, that is the dowry of his wife; ’tis none of his own getting. Horns? Even so. Poor men alone? No, no. The noblest deer hath them as huge as the rascal. Is the single man therefore blessed? No. As a walled town is more worthier than a village, so is the forehead of a married man more honorable than the bare brow of a bachelor. And by how much defense is better than no skill, by so much is a horn more precious than to want.	Well, that is the dowry of his wife; ’tis none of his own getting. Horns? Even so. Poor men alone? No, no. The noblest deer hath them as huge as the rascal. Is the single man therefore blessed? No. As a walled town is more worthier than a village, so is the forehead of a married man more honorable than the bare brow of a bachelor. And by how much defense is better than no skill, by so much is a horn more precious than to want.
Enter SIR OLIVER MARTEXT	Enter SIR OLIVER MARTEXT
Here comes Sir Oliver.—Sir Oliver Martext, you are well met. Will you dispatch us here under this tree, or shall we go with you to your chapel?	Here comes Sir Oliver.—Sir Oliver Martext, you are well met. Will you dispatch us here under this tree, or shall we go with you to your chapel?
SIR OLIVER MARTEXT Is there none here to give the woman?	SIR OLIVER MARTEXT Is there none here to give the woman?
TOUCHSTONE 55 I will not take her on gift of any man.	TOUCHSTONE I will not take her on gift of any man.
SIR OLIVER MARTEXT Truly, she must be given, or the marriage is not lawful.	SIR OLIVER MARTEXT Truly, she must be given, or the marriage is not lawful.
JAQUES (advancing) Proceed, proceed. I’ll give her.	JAQUES (advancing) Proceed, proceed. I’ll give her.
TOUCHSTONE Good even, good Monsieur What-ye-call’t. How do you, sir? You are very well met. God 'ild you for your last company. I am very glad to see you. Even a toy in hand here, sir. Nay, pray be covered.	TOUCHSTONE Good even, good Monsieur What-ye-call’t. How do you, sir? You are very well met. God 'ild you for your last company. I am very glad to see you. Even a toy in hand here, sir. Nay, pray be covered.
JAQUES Will you be married, motley?	JAQUES Will you be married, motley?
TOUCHSTONE As the ox hath his bow, sir, the horse his curb, and the falcon her bells, so man hath his desires; and as pigeons bill, so wedlock would be nibbling.	TOUCHSTONE As the ox hath his bow, sir, the horse his curb, and the falcon her bells, so man hath his desires; and as pigeons bill, so wedlock would be nibbling.
JAQUES And will you, being a man of your breeding, be married under a bush like a beggar? Get you to church, and have a good priest that can tell you what marriage is. This fellow will but join you together as they join wainscot. Then one of you will prove a shrunk panel and, like green timber, warp, warp.	JAQUES And will you, being a man of your breeding, be married under a bush like a beggar? Get you to church, and have a good priest that can tell you what marriage is. This fellow will but join you together as they join wainscot. Then one of you will prove a shrunk panel and, like green timber, warp, warp.
TOUCHSTONE (aside) I am not in the mind but I were better to be married of him than of another, for he is not like to marry me well, and not being well married, it will be a good excuse for me hereafter to leave my wife.	TOUCHSTONE (aside) I am not in the mind but I were better to be married of him than of another, for he is not like to marry me well, and not being well married, it will be a good excuse for me hereafter to leave my wife.
JAQUES Go thou with me, and let me counsel thee.	JAQUES Go thou with me, and let me counsel thee.
TOUCHSTONE Come, sweet Audrey. We must be married, or we must live in bawdry.—Farewell, good Master Oliver, not O sweet Oliver, O brave Oliver, Leave me not behind thee But Wind away, Begone, I say, I will not to wedding with thee.	TOUCHSTONE Come, sweet Audrey. We must be married, or we must live in bawdry.—Farewell, good Master Oliver, not O sweet Oliver, O brave Oliver, Leave me not behind thee But Wind away, Begone, I say, I will not to wedding with thee.
Exeunt JAQUES , TOUCHSTONE , and AUDREY	Exeunt JAQUES , TOUCHSTONE , and AUDREY
SIR OLIVER MARTEXT 'Tis no matter. Ne'er a fantastical knave of them all shall flout me out of my calling.	SIR OLIVER MARTEXT 'Tis no matter. Ne'er a fantastical knave of them all shall flout me out of my calling.
Exit	Exit